My Dear Disco

The almost U-M grads double your pleasure

By Brett Callwood

Special to Metromix
April 7, 2008

My Dear Disco

On April 25, every member of Ann Arbor seven-piece My Dear Disco will graduate from the University of Michigan, and they’ve decided to celebrate the end of their student lives in style. Two shows in one night at their local haunt the Blind Pig will see them put a life of baked beans on toast, “Judge Judy,” student parties and, possibly, a little bit of studying behind them in order to embark on all new, grown-up adventures.

Their time at U-M has been nothing if not eventful. Only 18 months ago, the guys were calling themselves Toolbox and were playing Irish instrumental ditties, largely featuring bagpipes. Don’t judge them too harshly though; they soon realized the error of their ways and put aside the cat-squealing sounds in order to concentrate on the ambient dance-and-funk grooves with which they created their signature sound, as synth, sax and pipes’ man Tyler Duncan told MMX: “Toolbox was all instrumental. The focus of the music was totally different because it wasn’t about the vocalist or the song; it was more about ‘anything goes.’ This is a lot more focused. It’s a little darker, and it has more of a Tom Waits’ vibe.”

Their hard work has been rewarded in the form of an enviable local following. Indeed, the last time they played the Blind Pig, people were turned away from the sold out show. This time they’re playing two shows on the same night -- an earlier set for their younger fans and a 10 p.m. slot for those allowed to stay up late -- a bold move that should leave no keen My Dear Disco supporter disappointed. “We’ll mix the two sets up to make it more interesting,” Duncan says. “The first set can’t be as long as the second one and it’ll be a completely different crowd. The later set will be the wild one and the first set will be the fun, lighter side.”

However, with great power comes great responsibility and after the show life goes on. Graduation will see the band members seeking a real-world income and so 2008 is going to be a key year as the players start working to make their band a career rather than a hobby.

“We cannot wait,” Duncan says. We’re going to have time to do everything. We have so many ideas of how we can get involved in the community with artists, activists and fashion designers. We want to be able to use our art to benefit the community around us. When we graduate, we’ll have the time to plan that. We can turn it into a business rather than just a band. Life will change.”

They’re certainly hitting the ground running; on top of this double feature, their forthcoming album is being mixed and mastered at the REEQ studio in New York by Grammy-nominated engineer Mark Saunders (Shiny Toy Guns, Tricky, The Cure). “We’ve always used the ‘Shiny Toy Guns’ album as a reference for the epitome of mixing,” Duncan says. “Whenever we’ve mixed in the past, we’d have it in the studio to compare it to what we did. We called the studio and they’re very cool people over there. They listened to our stuff and dug it, and said they’d like to work with us.”

The acquisition of Saunders has put the release of the album back a little, but that’s a small price to pay when considering the benefits of working with such a heavyweight. The April 12 Blind Pig show was originally intended to celebrate the release of the record, but due to the delay the band are offering attendees the opportunity to pre-order the album with a 15 percent discount. In fact, the kindly souls will even have it delivered to your door at no extra cost. Reports that they’ll hand deliver it themselves have been exaggerated.

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